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TothPix: Clint and Mac part 5

Time for more Clint & Mac as drawn by Alex Toth! As always, you can refer to and read the story in its entirety at Michael Sporn's splog.

From the top tier of page 16, a very sweet illustration by Toth, and a wonderful comic book panel. There's not much to the rendering in this frame, but it creates an impression, with simple lines, dots and dashes - all the details we need are there. The trees bleed into a mass of green, the building a series of steps slitting the middle to frame the limo. Again, he knows his cars. I love the sharp slashes of shadow on the road in the foreground - Toth kept in mind the high sun in the sky so the shadows fall on the surface in proper perspective.

In the middle tier, Toth does plenty. The POV just below eye level, we see on the left indications of the dock and harbor; on the right a man entering the warehouse. Clint & Mac hide behind a stack of boxes in the center, but the main points of interest are offset and not nearly center frame.  This make for a dynamic and interesting composition. Lotsa little details, that help establish the environment, all without distracting: post; rope; rigging; ship; flag; handtruck and tag; hanging lights in the warehouse, etc.

In facing panels on the bottom tier the boys peer through a gate to a pier and boat, which is central to the next several pages.

Kicking off page 17 is a set of two top tier panels. Of a piece, they're drenched in black, the figure dissolving into the shadows, the only light source being the flashlight. Very moody and cinematic, these frames have an illustrator's touch with some hatching for tone and texture and clever, effective coloring - only two colors utilized. But these are not illustrations, but pure comics, great compositions - all about telling the story.

Toth uses plenty of page-space for the next shot under the dock as the two make their way to the skiff. A moody dramatic shot, the boys are shown in silhouette amidst a maze of posts, joists, rails and decking. The perspective is solid, yet Toth found ways to create other various angles. The boat is the obvious center of interest, once again off-center, highlighted by the green.

Inside the warehouse, our heroes become one with the shadows. Cool shot. Then back outside, the boys will be trapped inside. Nice angles, perspective, balance and blackspotting.


Next week: Goons, the Scotland Yard, the Bookworm, the skiff, Toby and...the package.

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