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Tag: The Fox

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TothPix: Foxes!

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Yes, lets! Here's some of Toth's take on The Fox, the hero first drawn by Irwin Hasen.

These first few are panels from the comics Toth drew for Red Circle in 1983.

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Sketches:

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And a few small sketches of Toth's revamped Fox...

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Let us conclude, wot?

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TothPix: The Fox


You're kiddin' me, yeah? What a great sketch! I'd never seen this one before. Man, so good!

Not much for me to add, except: superb composition, positive/negative space, what balance - you can feel the hero's weight and weightlessness. Every line is in its place, just a smidge of rimlighting here and there, sometimes clean, sometimes with a rough edge. Clever: the space in the "O" is the Fox logo.

I love that The Fox's eyes are different sizes/shapes.

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TothPix: The Fox - Shadows and Stars


Continuing the focus on Toth's Fox stories for Red Circle, this is actually the splash page to the first one he did, reintroducing a character from the Golden Age of heroes. And while Toth drawing, craftsmanship and skills are far beyond what was done when the character was first introduced, his sensibilities are firmly rooted in that era. It's almost as if he's drawing us back with him to his childhood, crafting an adventure that is no doubt more a memory of what he loved about heroes and comics, but better than what he actually read.

In the opening paragraph at the bottom of the page, the creator and storyteller, Toth is communication directly with the reader, breaking down the fourth wall, before he rebuilds it and throws us into the story. He's telling us exactly what his intentions are, what he holds and values as good comics, characters and stories, and he does it typical Toth style and panache.

Toth's striking use of black and white in this signature chiaroscuro panel of The Fox shows how he's blurred line and form, allowing much of the figure and background to be determined by how shadows fall across them. The Fox is at one with environment, and yet Toth finds a way to separate somewhat The Fox from the background. Though that's made even more apparent in the color version of the same panel below, there's something pure and dramatic in the black and white line art.

But for Toth, good hero comics is not all shadows. It's goofy characters who utter snappy dialogue in overlapping word balloons, slapstick action and comedy, all awash in a cascade of floating stars.

This story first appeared in color on newsprint in Black Hood #2 (1983), also appearing in Manuel Auad's Toth, Black & White (1999).

And with that, we're out...'til next week!

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TothPix: Otis Dumm and The Fox

In 1983, Alex Toth's cover for Red Circle's Black Hood comic caught my eye. It may have been the first time I saw his work, I'm not sure. But it made an impression. And The Fox story inside was a hoot, thick lines, simple colors; both the covers, title logo and comics inside were a throwback to comics and and adventure strips of yesteryear.

The front cover is action-packed, with figures flying, compositional diagonals, stars and bursts, a bold, cartoony logo, and inset for the Fox feature. There's so much action, so much going on, that some visual elements cross over the title, integrated and of a piece, yet it's all easy to take in and process. Open at the fold, and one finds it's a wraparound cover, to boot. Fun! I think the cover could be improved with better coloring, but it was plenty enough to get me to pick it up.

Inside, Toth's story at the back of the book jumped out at me, introducing an old man covering the page from head to toe, one Otis Dumm, an unlikely star of a superhero story, breaking up the page and taking center stage.

Making a one-time side character the focus of the story is an old trick, and one Will Eisner used to employ regularly with his The Spirit strip. The old man in a bright red shirt, bolo tie and pants hiked high in an improbable hero, but throughout the story we find there's much more than meets the eye to Otis Dumm. The Fox and readers become impressed with his ingenuity, smarts and resourcefulness. Toth's story is similar in some fashion to David Mamet's play/movie, The Water Engine, about suppression of a new technology. But where Mamet's play is dark, Toth's is lighthearted and a romp.

One can read the story in large scans at the super blog, Atomic Surgery, which also covers other Toth stories, among others' work. One gets the sense Toth would've like a few more pages than the twelve he had to work with, as the last couple are heavy on exposition and text. It could've been paced better, but still is one of my favorite Toth pieces.

One last panel: yet another where Toth focuses on the most important object of the story and frame, by cropping the character's head from the shot. Rest assured, Otis and his face get plenty of exposure, but not in this panel which is the central conflict of the tale.

These may be Dumm Comics, but they're not Dumb Comics!