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Hitchcock Poster


I mentioned yesterday I'd drawn Hitchcock before, a long time ago when I did this poster illustration for a novelty company in Chicago. This was 1984, about a year before we began work in earnest on the first issue of Trollords. I was 20-21 at the time, and drew using pencil and pastels more back then. Most of this holds up pretty well, although it's stiff in a couple places. I used an Ebony woodless graphite pencil to achieve really dark darks, no doubt rubbing it with my finger or stump, a trusty kneaded rubber eraser at the ready. This is a photo of the original artwork, executed on 18 x 24 illustration board.

I was/am quite the Hitchcock devotee, having attended seminars/showings of his work and read plenty of books. For the poster, although I included a few references to specific movies (The Birds, Psycho, Rear Window and Dial M For Murder), I tried to incorporate as many of Hitch's themes and motifs: birds, voyeurism, mirror images (twins), train tracks and the wine bottle from Notorious. I faltered in my execution of the quintessential Hitchcock heroine, an amalgam of Kelly, Leigh, Novak, Miles, Saint, Carroll, Hedrin, Day. As in Vertigo, Hitch tailored his leading ladies to be a certain type, what became known as the Hitchcock Blonde.

I've just discovered a handful of these posters in the Blue Moon archives, so email me if you have interest in purchasing one. I'll update here if I make them available at on online shop.

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